One of the few big budget found footage films initially conceived of as a blockbuster, Matt Reeves’ second feature film ably utilized many of the lessons that had made smaller films so successful, from a smart marketing campaign to assembling a cast of characters to care about even in the midst of outsized circumstances. It’s funny and creepy, and it ends with one hell of an implication. Aided by game stars Bryce Johnson (as Bigfoot obsessive Jim) and Alexie Gilmore (as the more cautious Kelly), it’s a classic two-hander that soon comes to include some very, very hairy paws. Goldthwait also subtly builds in plenty of backstory and mythology, enough to power the film to go beyond other similar features. Like so many of its brethren, the film spins out a simple story (couple goes looking for Bigfoot, oops, actually finds Bigfoot) into chilling ends. There are no shortage of creature features tucked inside the found footage arena, but Bobcat Goldthwait’s lean and mean (and, yes, of course also darkly funny) “Willow Creek” adds Bigfoot into the mix with style and smarts. With editorial contributions from Tambay Obenson and Eric Kohn. Without further ado, here are the 15 very best found footage movies ever made, from the standard-bearers like “Blair Witch” and “Cannibal Holocaust” to under-seen low-budget wonders like “Lake Mungo” and “Be My Cat: A Film for Anne” to bonafide blockbusters like “Paranormal Activity” and “Cloverfield.” Plus, there’s all sorts of other very, very “real” treats in between.
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From an ill-fated movie that “ended” in a haunted forest to a suburban couple lost forever to dark forces, found footage is at its arguable best when toeing the line between fantasy and reality, bending it until it disappears. That’s the great trick of found footage: sometimes, just sometimes, if the films are really good and the people behind them are really adept at getting into the gag, they can convince audiences theirs truly is the “real world” being watching on the big screen. In the three decades since “The Blair Witch Project” changed the game, has anything become more scary and more omnipresent than devices that can record every inch of our world? What’s more, the famously reactive genre thrives when it feels most relevant. Horror filmmakers are notoriously canny creators, of course, having used whatever was available to craft all manner of scares long before technology caught up. And yet, the found footage technique has become so prevalent within the horror genre that it’s almost impossible to extricate the form from the fear it has inspired. Some film historians posit that the first found footage film was “The Connection”: an experimental joint by Shirley Clarke from 1961 about drug addicts (which is arguably horrific but definitely not a horror movie). The naturalistic approach to cinema doesn’t belong exclusively to the horror arena, believe it or not.
From the collected clips of “V/H/S” to the harrowing ordeal captured in “Unfriended,” these frightening flicks feel at once like pieces of entertainment and physical proof of hell on Earth.
Whether it’s film “recovered” from a crime scene/disaster site or continuous “live video” watched in real time, found footage movies are among the most terrifying titles available to horror lovers.
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